LITTLE KNOWN FACTS ABOUT CHARLIE CHAPLIN'S "THE CIRCUS" (1928).

They in many cases are yearning romantics, with this particular big difference: Buster appears a plausible mate, and the Tramp rarely seems to possess a libido, only idealized notions. If their comedies had been designed in a more liberated time, it can be done to imagine Keaton in mattress with a woman, but disquieting to consider the Tramp being